goodguygrifter (
goodguygrifter) wrote2015-11-21 10:11 pm
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Well, Stan's been crammed deeper up the ass end of nowhere before, but that doesn't mean that creeping, uneasy feeling doesn't get worse the deeper he gets into this damn forest. It's dark, it's spooky, it's -
It's exactly like the kind of forest you used to see in those old monster movies, actually. The kind he and Ford used to sit in front of, enraptured, arguing over how many pieces the monster of the week was going to tear the ditzy teenage protagonist into.
Maybe it's not the forest that's giving him such a bad case of the heebie jeebies. He can admit that to himself now that he's almost there. His car rolls to a stop and he sits there while the engine ticks cool with his hands still in their old, familiar grips on the wheel. He gets out. He shuts the door.
"No problem," he mutters to himself, watching the door of that weird, creepy little cabin like he really is in one of those old movies and something's about to jump out and grab him. "It's only been nine years. And ten months. And fourteen days. And he doesn't even want you here. That's no, no reason to, to uh..."
The doorknob of that weird, creepy little cabin door is under his hand. If his hand moves a couple more inches, he'll open it. He'll open the door, and then he'll -
You'll what? he thinks to himself. You'll what, genius?
"Aw, shit," Stanley says, and takes one step back, and then another, still looking at the door like it's about to bite him.
It's exactly like the kind of forest you used to see in those old monster movies, actually. The kind he and Ford used to sit in front of, enraptured, arguing over how many pieces the monster of the week was going to tear the ditzy teenage protagonist into.
Maybe it's not the forest that's giving him such a bad case of the heebie jeebies. He can admit that to himself now that he's almost there. His car rolls to a stop and he sits there while the engine ticks cool with his hands still in their old, familiar grips on the wheel. He gets out. He shuts the door.
"No problem," he mutters to himself, watching the door of that weird, creepy little cabin like he really is in one of those old movies and something's about to jump out and grab him. "It's only been nine years. And ten months. And fourteen days. And he doesn't even want you here. That's no, no reason to, to uh..."
The doorknob of that weird, creepy little cabin door is under his hand. If his hand moves a couple more inches, he'll open it. He'll open the door, and then he'll -
You'll what? he thinks to himself. You'll what, genius?
"Aw, shit," Stanley says, and takes one step back, and then another, still looking at the door like it's about to bite him.
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"Among other things."
He nods towards the stairwell, his mood considerably brighter now than it had been during their entire trek through the woods.
"Come on, there's more inside. And watch your step, it's a long way down."
He takes the lead, gesturing for Stan to follow by touching his arm lightly as he passes him by on his way to the stairwell.
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Ford's not quite sure how much he ought to reveal about how this bunker came to be. After all, he doesn't want to overload his brother's brain with hard-to-handle information, and something tells him informing his brother that he developed a machine which can create exact paper duplicates of living people would be a liiiitle hard for him to handle.
"Let's just say I have my ways, and leave it at that, alright?"
Eventually the stairway ends, and they find themselves on solid ground. Ford doesn't give his brother the chance to take in the sights, however, as he keeps up his brisk pace and continues on past the winding metal halls, the stockpiled supplies, the weapon cabinets and other assembled things one would expect to find in a fallout shelter. It's not until they reach the security room that Ford finally slows to a stop, then turns to give his brother a meaningful look.
"Alright, before we go any further I have to tell you that we're about to walk into what may or may not be a literal death trap of my own design."
He pauses a moment to let that sink in before elaborating.
"Don't worry, it's perfectly safe to pass through so long as you know the entry code."
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"You know what, that sounds like fun. Bring it on. We can handle it, right?" He slaps at Ford's arm, honestly excited. "What did you make somethin' like that for, anyway? The hell of it?"
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"Like I said, I've mad a lot of enemies, and even more mistakes."
If Stan wonders what he means by that, well, he can continue to wonder because Ford isn't going to elaborate. Instead, he steps down from the entry-tunnel and onto the floor of the security room, careful to avoid setting foot on the wrong rune. He turns back to Stan, holding up one hand to signal for him to wait.
"This'll only be a moment, hold on."
And then, with surprising speed and agility for a man who hasn't eaten in what's going on three days now, Ford races to the far corner of the room to press his hand against one of the many square tiles that line the walls, ceiling, and floor. It lights up under his touch - as does every other rune before the room begins to shift and close in on itself.
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Ford looks sharply over his shoulder, sighs roughly in frustration, and hits a second tile a little harder than is strictly necessary before side-stepping one of the shifting pillars blocking his path and making his way over to his brother. It's just his luck that the third tile is near him.
"Remember when I said this was a death trap?" It's a rhetorical question, but even so he asks it like he's asking if Stan recalls a particular episode of some old cartoon they watched as children.
"Because I'm pretty sure I explicitly told you this was a death trap."
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He looks around, ducking a shifting set of blocks and trying (and, of course, failing) to make anything at all out of all the different symbols. "You don't have to walk me through it or nothin'. I trust that big old brain of yours. Just tell me what to do."
Maybe he shouldn't, maybe Stanley shouldn't trust a single damn thing that comes out of Ford's head now, but this honestly does not occur to him. Up in the woods he'll doubt him, sure. In Ford's house, sure. Normal places. But this ain't a normal place. This place is new, and weird, and more than a little dangerous, apparently, and when it comes down to it? Well. Yeah. Old habits, and all that.
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"A death trap I know how to navigate." He corrects, before kicking another tile with his boot, making it glow. "Unlike a certain someone who is standing right in front of the last pressure pad."
He gestures towards his brother, or rather, to the pillar closing in behind him.
"Press the tile, if you'd please, before we're crushed to death."
Funny, how he doesn't sound particularly alarmed despite how grave the situation is.
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Stan doesn't sound too alarmed either - in fact, he sounds cheerful. He is cheerful. They haven't even done anything yet, but it's like - it's fun, doing this, it's so different from all the shit he's spent the last few days, hell, the last month, the last few years, dealing with. It's a relief.
Besides. This wasn't that deadly. No one squished or anything. Good news all around.
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"You won't be able to handle this one if we don't keep moving."
And he's not just saying that either - because even as he hits the fourth and final tile, which prompts the door on the other side of the room to open, the pillars keep closing in on them.
"Come on, hurry it up."
He doesn't let go of Stan's sleeve as he moves forward, stepping over one pillar and ducking beneath another. If anything, his grip tightens - he doesn't want Stan to fall behind.
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It would have saved him a trip to the big house, yeah, but he remembers just in time who he's with, who it is he's talking to. This ain't just a joy ride inside some rich asshole's mansion, or whatever. This is his brother, leading him to somethin' that's supposed to make him believe all that, all that stuff, make Stan believe in those things Ford's been seeing for, how long was it he'd said it was? Years?
"-a lotta' people a whole lot of trouble," Stan finishes, his light spirits a little dimmed. "You get that many people sneakin' in down here?"
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Ford makes a mental note to ask Stan about that later, sometime. If, you know, if he ever gets the chance. The closer they get to their destination, the less sure Ford is of how well this plan of his is going to work out. He can't help but worry that maybe - because wouldn't that be just his luck - there would be nothing to show Stan after all. There would be nothing there with which to prove his sanity because there never was anything, because he's not sane, because this is all in his head after all.
Stanley certainly believes that's the case - he tries not to show it, but Ford knows. Ford knows, but he's not sure Stan knows that he knows, and he'd prefer to keep it that way until they figure out for certain which of them is in the wrong.
"No, thank God. As far as I'm aware, you're the only other person who even knows this place exists."
That says a lot, really, about how much Ford trusts his brother - or maybe it just says a lot about how desperate he is to prove his own sanity.
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"Aside from the guy who was helpin' you, right?" Unless he's a figment of Ford's poor brain too, jeez, don't think that, all this is enough to deal with already without things being that bad.
"So you just put that deathtrap room in for shits and giggles? And this whole place, it's for, uh... Science stuff?" Stan sweeps the flashlight around, frowning. The excitement of the place is starting to wear off more, the more time he has to think. And the things he's thinking of? Mostly questions. Scary ones, and the worst are the ones that start with why. It might show in his voice, that unhappiness, the hope that Ford will come up with some perfectly innocent answer that explains everything. Because as cool as all this is, as much as it all looks like something out of a movie, Stan can't help but wonder just when Ford made all of it. Did he make it before his mind started to... Well, before? Or after?
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There's really no good way to word what he's been doing down here without digging himself deeper and reinforcing Stan's belief that he's lost his marbles, so he's just going to hold off on the in-depth explanation for now.
He walks to the other end of the room, puts his hands on the circular latch which keeps the door sealed shut, and hesitates. He glances over his shoulder at his brother, and feels his hands begin to sweat a little. This is it: the moment of truth. Once they make it past this door, they'll be inside the lab and Stan will finally get a look at the - at the proof he needs. Or maybe they won't find anything at all. Ford's not sure which idea scares him more.
He swallows, his mouth suddenly feeling dry, and then turns the handle.
"We'll need to stand under the decontamination spray for a minute or two before the door will open to the other side."
He steps into the small enclosure, which is more or less the size of a particularly roomy closet, and waves his brother in.
"Don't worry, it's not toxic unless you ingest it. It'll just hurt like holy hell if you get it in your eyes."
Ford makes a point of taking off his glasses and slipping them into his coat, so he won't have to wipe them off later. Out of habit, he rubs at the red-spots the nose-pads leave between his eyes, though that doesn't do much to make the redness go away.
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Yeah. He guesses it must be.
But he's here anyway. He's here because this is his brother and the idea that Ford always knows best, knows more and better no matter what the rest of the world thinks, Stan wants that to be true. That's what he remembers being true back when he was a kid, back when things were good.
And even if it ain't, well. This is his brother, and the least he owes him is a chance.
Even if that means he's about to get his eyes sprayed by super special toxic acid, or whatever. He glances around the room, frowning, and the frown only gets bigger and deeper once he steps in. He's okay, though, he's cool. It's his brother leading him in here, okay, so it's fine to close the door behind him, he only hesitates a couple seconds before doing it and nevermind how stiff his whole posture gets when he hears the thing hiss shut.
"Couple minutes, huh?" he asks, shutting his eyes so the chemical whatever don't get in. And maybe, a little bit, because that feels like it ought to help. "You couldn't cut that wait down a little?"
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It's probably better for them both that he doesn't.
"Nope!" He replies, ever-so-flatly, before reaching up to pull the switch without another word of warning.
The spray hits them immediately, first from the sides then from above. Ford hisses as the chemical mixture hits the back of is head, because holy hell the skin back there is tender, then swiftly moves his hand to shield it from further agitation. All the while, he silently curses himself for not thinking to do that before he pulled the switch.
The smell of a strong chemical solvent fills the room, and their sinuses, but soon enough it's rinsed away, leaving them both damp yet probably the cleanest either of them have been in a while.
Then the door hisses open, light pools in, and Ford takes in a deep breath. Alright. Alright, here they go.
"Well, here we are." How's that for a grand introductory speech?
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"Sheesh, I smell like a hospital now," he says, turning in a slow circle, taking the whole thing in, and trying to figure out what to make of it all. "You really need whatever's in here to stay that clean?"
"Hey, uh," Stan interrupts his own griping to nod at one of those freaky tubes. At the glass, really, the way it's all shattered. "Your 'unorthodox experiments' usually, um. Break out?"
Out, he says, because whatever did that did it from the inside. There's glass all over the metal platform leading up to it, none in the big tube. It coulda' been chemical shit that did that, sure. It coulda' been.
Did he think earlier that this was like being in a movie? Yeah. The problem with that, after a while, you start to figure out how the people in movies feel.
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Then stiffly, he reaches for his brother. He reaches for him with a shaky hand, grips tight to his sleeve like their very lives depended on it.
"Stan." His voice is hushed, as if he can hardly force out the word. "Stan we need to turn back. We need to turn back now."
He's already pulling at his brother's sleeve as he says this, taking a step backwards towards the door. He doesn't take his eyes off the shattered tube. He can't seem to look away from it.
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He walks with Ford, not fighting the grip on his sleeve and putting a hand on Ford's back, not quite pushing him but not quite not, either. "You got a way around that security room of yours? Somethin' quicker?"
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His grip on his brother's sleeve tightens, his knuckles turning white.
"Stanley, I am so sorry."
Beyond the quiet thrum of machinery, beyond the occasional drip drip drip of a leaky pipe, a skittering sound can be heard. It seems to come from the far wall, or maybe the ceiling.
"I never should have brought you here, I never should have--"
He never finishes the sentence. Something descends upon them before he can, dropping down upon them from above and knocking them apart despite the iron-grip Ford has--had--on his brother's sleeve.
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"Ford! Ford! This isn't... funny..." But Ford never was a joker. Stanley knows that. He turns in a circle, like his brother's just gonna' be waiting somewhere behind him, and runs a hand over his hair. "Ford! Oh fuck, oh, oh jeez, I-"
Okay. Okay. There's not one single thing in this room that he could use as a weapon, just fucking equipment, stupid science bullshit, and he'd give his fucking left arm to be holding a baseball bat right about now and that might be kinda redundant, okay, but just never you fucking mind. There's a tunnel over there, okay. This room ain't just a dead end. So he don't think things like he was right, your brother was right and you didn't believe him, look what you drove him to, now he's dead and it's your-
"Fuck you!" His voice echoes through the room and good, fucking good, he hopes it does, he hopes everything in here fucking hears it because he's not thinking that shit, he's just going in this goddamn tunnel to rescue his goddamn brother. "Fuck you, you hear me, you shitty Exorcist reject! I'm going in here after you and you better not make me wait! You better be right there waiting for me!"
And in he goes. The only other way out of this room, other than that puzzle-blocks-of-doom bullshit, and the only way in. If Ford is any way he's that way, so that way Stan Pines goes.
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"So this is what you look like all grown up."
The statement is followed by a sharp, rickety chuckle that is anything but kind.
"If you ask me, you look better in the photo."
Something skitters across the ceiling, moving rapidly from shadow to shadow, safe from view beneath a curtain of darkness.
"He still has that old thing, by the way. Or, well, had."
Something drops from the ceiling, flutters apart as it tumbles through the air before landing at Stan's feet. It's the photo - or rather, the pieces of it that are left. It has been mangled beyond repair; no amount of tape is going to fix something that looks like it was set upon by claws.
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"Yeah, well, if I'd have known I got a secret admirer I'd a' prettied myself up a little." Stan's eyes dart back and forth over what he can see, and when he makes out the picture the pieces used to be he bares his teeth. He doesn't bend to pick the pieces up, though. He ain't that stupid. He looks up instead, trying to see over the ceiling, but there's nothing there. Or, at least, nothing he can see.
"You too scared to come down here and show your face like a man? Or, hey, you afraid your secret admirer will think you're ugly? That it? Come on, sweetheart, I'll just close my eyes and give that mug of yours a big old smooch."
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"Well, if you insist!"
The lights go off for a second time, plunging the entire laboratory into darkness. It's hard to tell where the skittering sound is coming from - the noise seems to reverberate from every wall, each echo more distorted than the last. But then another sound pierces through the darkness, one far less difficult to pinpoint - there, a a dozen or so yards ahead of him, Stan will be able to hear the tell-tale signs of a struggle.
Something clatters to the ground, something hard and metal. It skids across the ground towards Stan, before skidding to a stop a few feet away.
Then, as soon as they shut off, the lights come back on with blinding force. A short ways away from Stan's feet, he'll see a handgun. Further than that, at six or so yards, he'll find something even more alarming -
His brother, two of him, both wearing matching expressions of distress.
"Stanley, I--"
"Stan, don't listen to it, that's not me!"
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Oh no that icon
and now have a dramatic one used for a non dramatic purpose
I cry
so do they
HOW DARE
you are so very welcome
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at some point when they settle into going wherever they're going we can timeskip
Alrighty!
idk if it should be now or not, I'll ever so kindly leave that up to you XD
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Cue jokes about Arnold Schwarzenegger and history repeating itself here
ah'll be bachk, etc.
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